[7], Over the following years, and particularly in 2015, Goodes was repeatedly and loudly booed by opposition fans at most matches. Cool Australia has produced 52 lessons designed for Years 5-12 that investigate racism, privilege, truth-telling, cultural pride, resilience, values and dignity. [21][22] The director's statement about the film states that he did not want to explicitly choose a side but instead wanted to present the footage and allow "the audience to see and hear for themselves what had happened, to ask their own questions and to come to their own conclusions". Teachers are advised to use their discretion when deciding whether to show this film. The Final Quarter - Making An Archival Documentary - Media Arts - Years 9 & 10 Considering Social Action Students are given opportunities to apply their learning in real world situations, in the classroom, school, home or the local community. To view more detail on relevant specialist units scroll down. (2019). Below we've listed down some of the most widely-used cinematography techniques that can help dictate how your audience should feel about your scene, as well as how they will interpret it. Many Year 10-11 students openly admitted that it had changed their attitudes, and students have said the film empowered them to stand up to racism and helped them acknowledge it was damaging. Perhaps fed up with just that kind of dance, Goodes celebrates a goal with a traditional war jig that culminates in the throwing of an imaginary spear, and talkback radio again lights up. We will not achieve this while racism and discrimination exists in our game We will stand strongly with all in the football community who experience racism or discrimination. 0000004654 00000 n The Final Quarter opens with a clip of Sam Newman frothing from the mouth and berating Goodes on The Footy Show. They evaluate how social, institutional and ethical issues influence the making and use of media artworks. The filmmaker's sympathies are not in doubt, though his decision to avoid talking heads - relying instead on contemporaneous television coverage - makes his . 0000008383 00000 n Let us know what you like or don't like about this activity: Sorry. FBIRadio. Late 2019: Launched the educational strategy in partnership with the Australian Human Rights Commission, Reconciliation Australia and Cool Australia, including 46 lessons for years 5-12 on dignity, cultural pride, racism, truth-telling, respect, resilience, and mental health. It's written by acclaimed journalist Stan Grant, and will open the Melbourne International Film Festival before hitting theatres around the country. Adam Goodes was a champion AFL footballer and Indigenous leader. So, too, do the boos every time the player steps foot on the paddock, for more than sixteen weeks. Investigates our individual and collective responsibility toaddress racism in the community, workplace and school. By calling out racism, and by refusing to be put inside a box where the powers that be might have liked him to remain, Goodes unquestionably made life harder for himself. The film 'The Final Quarter' looks at the final years of Adam Goodes' AFL career and the storm that followed. We have consulted with experts in human rights, reconciliation and psychology to ensure these lessons promote emotional safety and cultural awareness. The Final Quarter was made by Shark Island Productions, an independent film production company. Goodes was christened Australian of the Year in 2014, and a telling moment sees him asked about Australia Day (or Invasion Day, per its detractors), the annual commemoration of the First Fleets arrival. 0000003887 00000 n Tracy works closely with parents and teachers to support young people with issues such as anxiety, learning needs, depression, confidence, and behavioural challenges. If it was hard to mount that fingers-in-the-ears argument back then, it seems almost impossible now though the peanut gallery of outspoken conservative commentators, who haunt this film like ranting apparitions (among them Andrew Bolt and Alan Jones), are hardly likely to show contrition any time soon. We'll update you with a release date when one is announced. Documentary-maker Ian Darling relies chiefly on broadcast footage, as well as upon newspaper headlines splashed across the screen, in retracing his tale. Cool celebrates the world's oldest living culture and acknowledges that sovereignty was never ceded. [33][34], The Western Bulldogs released their own statement about the documentary. [8] Many clubs and players in the AFL supported Goodes in the week of his leave. This is what was heard. 0000011178 00000 n Darling presents a self-consciously larrikin culture in which the right to provoke is sacrosanct, and perceived pomposity is eagerly sniffed out. Adam Goodes is a champion AFL footballer and Indigenous leader who became a lightning rod for an intense public debate and widespread media commentary that divided the nation. 0000005252 00000 n 0000004288 00000 n Next steps in 2020: Distribute a DVD and educational resources to every principal of every high school in Australia, as well as every junior and senior sporting club with access to the film, and continue community outreach. Below are some of the must-know techniques that are included in the glossaries of Matrix English Theory Books. 0000052832 00000 n Subscribe for full access to The Hollywood Reporter, Ian Darling recaps the years-long media cycle that drove Indigenous sportsman Adam Goodes out of the limelight in 'The Final Quarter.'. Explores race relations in Australia and how formal and informal treatment of Aboriginal and Torres Strait Islander peoples impacts upon their sense of belonging. Goodes took indefinite leave from the game in August of the 2015 season. Won numerous awards, including the Film Critics Circle of Australia Best Feature Documentary 2019 Winner, AACTA Award for Best Editing in a Documentary 2019 Winner, Asian Academy Creative Awards Best Documentary 2019 Winner, Had a total of four screenings on Network Ten and WIN to over one million audiences across the broadcast and 10Play Catch Up. This powerful film captures a period from 2013-2015 focusing on leading Sydney Swans AFL player Adam Goodes in the final years of his football career. 0000091357 00000 n Following the screening, the ABC's Fran Kelly talked with Darling, ex-footballer Michael O'Loughlin and AFL Inclusion and Social Policy Manager Tanya Hosch about the film, Adam Goodes . Goodes himself clearly believes this, and his ongoing presence in the film (which he supports but was not involved in) is a balm to the rash of madness around him. The methodology of The Final Quarter and other aforementioned films of its ilk can have a distancing effect many of the traditional powers of the motion picture medium (cinematography, for instance) having been surrendered for more curatorial kind of approach. Synopsis 'The Final Quarter' compiles a selection of opinions from cultural commentators at the time (like Andrew Bolt, Miranda Devine, and Rita Panahi), who present the most common arguments for why people were booing Goodes. During the last three years of his career, Goodes was named Australian of the Year, accused of staging for free kicks, and performed an on-field war dance celebration. Cool Australias curriculum team continually reviews and refines our resources to be in line with changes to the Australian Curriculum. THE FINAL QUARTER April 2019 PRODUCTION CREDITS Director Ian Darling Producers Mary Macrae & Ian Darling Editor Sally Fryer Executive Producer Malinda Wink Executive Producer Mark Monroe Executive Producers Mark Nelson & Will Vicars Archive Researcher Lindy Boylan Composer Paul Charlier Sound Designer Wes Chew Graphics Paul Ducco Edit Assistant Our game is about belonging. Being independent means they are not owned by a major media company. Made entirely from archival footage, photos and interviews sourced from television, radio and newspapers, the film reviews the national conversation that took place over this period, and places it in a wider historical context. Darlings approach differs in that his intention in many respects is more ambitious, and certainly more relevant to Australian society, than the more familiar price of fame and portrait of obsession style narratives. Andrew Bolt, Alan Jones and Sam Newman haunt Ian Darlings film like ranting apparitions. [20], Many commentators and Goodes himself believed that the booing was racially motivated, while others believed that it was motivated by dislike of his playing style or of his response to a 13 year old girl who shouted a racially-charged insult at him. Investigates different forms of racism and challenges us to interrogate and confront attitudes and behaviours. 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Documentary Australia acknowledges the Australian Aboriginal and Torres Strait Islander peoples of this nation. The Final Quarter is a 2019 Australian documentary, directed by Ian Darling and produced by Shark Island Productions, about the final stages of the Australian football career of Adam Goodes, during which he was the target of repeated booing by opposition fans. 0000103450 00000 n It is recommended that students have seen the film in its entirety before commencing specialist lessons. The racially motivated vilification and unsympathetic voices from audience members and commentators increased to the point where he left the game on which he had built his career. Fire Up! 0000003986 00000 n As essential for the broader public as it is for football fans, the film is set for both a cinema and television release later this year, Just hours before the premiere but nearly four years after Goodes retired at the end of the 2015 season, notably the AFL and its 18 clubs released a long-overdue statement that apologised "unreservedly for our failures" in not standing up for him during his career. Goodes, an Aboriginal Australian, was drafted by the Sydney Swans in the 1997 AFL Draft and went on to have a successful career with the Swans, featuring in their 2005 and 2012 premiership teams and being awarded a number of accolades for his performances including the AFL Rising Star award in 1999,[1] the Brownlow Medal (2003 and 2006),[2] the Bob Skilton Medal (2003, 2006 and 2011),[3] and All Australian selection (2003, 2006, 2009 and 2011). He publicly called out racism, was named Australian of the Year, was accused of staging for free kicks, and performed an on-field war dance celebration. Further, the film has already achieved positive educational outcomes. 2022 Shark Island Institute | PrivacyPolicy. Explores the power and influence of the Australian media and its responsibilities, including the broader publics engagement with social media. And by dark ages I mean the last three years in Goodess decorated career, until his retirement in 2015. Tracy Bentin,Psychologist,MAPS; Grad Dip Applied Child Psych; BBSc (Hons). 0000003092 00000 n Oz musicians Paul Kelly and Dan Sultan provide an original ballad for the films bleak coda, which brings the saga very much into the present tense. Director Ian Darling wanted to explore what happened and why, and start the conversation about racism in Australia that Adam Goodes asked us to have. Paul Kelly wrote the end credit song "Every Day My Mother's Voice" for the film, and won Best Original Song Composed for the Screen, 2019 Screen Music Awards. While we await new stock schools, please tap WATCHNOW, or others tap RENT/BUY for homeviewingoptions. We acknowledge the Gadigal people of the Eora Nation as the traditional custodians of the land on which we work and we pay our respects to ancestors and Elders, past and present. The Final Quarter Teaching Resources The Final Quarter Curriculum Resources Fighting against Racism through Education. Directed by Ian Darling, and solely compiled from archival material in a technique reminiscent of another great sports doco in recent years, . The Final Quarter - Listening To Community - Years 7-9 0000003655 00000 n Considers how the media influences audience perspectives through the use of language and point of view. 33 Creative and the GO Foundation were invaluable in publicising the film and carrying out its impact campaign over social media. Evaluate how technical and symbolic elements are manipulated in media artworks to create and challenge representations framed by media conventions, social beliefs and values for a range of audiences (ACAMAR078), Analyse a range of media artworks from contemporary and past times to explore differing viewpoints and enrich their media arts making, starting with Australian media artworks, including media artworks of Aboriginal and Torres Strait Islander Peoples, and international media artworks (ACAMAR079), General capabilities: Literacy, Critical and Creative Thinking, Cross-curriculum priority: Aboriginal and Torres Strait Islander Histories and Cultures (OI.9). Extraordinary media coverage and audience response across newspapers, radio and TV, largely praising the way the film objectively revealed the truth about the last three years of Adam Goodes career. It received extensive media coverage, with over 200 articles and 330 pages of media appearing in all media outlets including The Age, SMH, Herald Sun, The Australian, The Guardian, The Daily Telegraph, ABC Insiders, etc. 0000062288 00000 n Every film uses different techniques to create meaning throughout the film. They evaluate how genre and media conventions and technical and symbolic elements are manipulated to make representations and meaning. See a snapshot of media articles here: Additional assets have had high engagement including 944 Screening Guide downloads. 0000008940 00000 n It is essential that teachers watch The Final Quarter documentary in full before showing it to students. They specialise in creating documentaries that educate the public about important social issues. Mise en Scene is an integrated design concept which refers to what we see on screen in a film. Just whose existence is being threatened, and by whom, is a subject canvassed by a procession of pundits once Goodes starts getting booed by fans of every stripe. There are a huge number of techniques that are used in films to convey meaning. Angles. The documentary intertwines media clips from Goodes' games, general AFL coverage, news stories, press conferences and interviews from the era to paint a heartbreaking picture of the ex-Swans captain's experiences. 0000009450 00000 n An Aboriginal player, and number 37 for the Sydney Swans, Adam Goodes was singled out for verbal abuse, booing and jeering by spectators from a range of clubs during the last three yea. 2022 Shark Island Productions and Cool Australia. The methodology of The Final Quarter and other aforementioned films of its ilk can have a distancing effect - many of the traditional powers of the motion picture medium (cinematography, for. Lighting Costume and make-up Staging/blocking: movements and performance Note: Mise en scene is independent of the camera work or editing. [27], Darling also announced that the film will be made freely available to schools and clubs across Australia. THE FINAL QUARTER | Film - Official website TRAILER PAUL KELLY MUSIC VIDEO Education Resources FOR SCHOOLS AND SPORTING CLUBS All Resources Watch now Request Free DVD Screening Guide Adam Goodes was a champion AFL footballer and Indigenous leader. Topic: Learning Through Film, Social Issues, Indigenous Education, This lesson is part of the wider unit of work: The Final Quarter Assembling Archival Footage Media Arts Years 9 & 10. As the name suggests, The Final Quarter focuses on the last stages of Goodes' time in the AFL when he was verbally attacked by spectators and high-profile media figures, relentlessly booed at games, put under immense scrutiny for celebrating his Indigenous heritage, accused of staging for free kicks and ultimately chose not to play for a period due to the toll he was under. Honing in on Goodes' last three seasons as an AFL player up until his . Narragunnawali: Reconciliation in Education (Reconciliation Australia). Sorry, we have distributed all our DVDs to schools andclubs! [13][14][15][16], Goodes retired from the AFL in September 2015. Revelation Perth International Film Festival Inc, Distinctive storytelling for the big screen, Ambition, creativity, audience engagement, Quality, cultural value, innovation, diversity, Opportunities for First Nations storytellers, Insights into challenges facing the industry, International awards for Australian projects and people, Australian screenings at international festivals, International Pitching Events and Talent Labs, International Marketing Support: Festivals and awards, All Screen Australia production applications. 299 48 In addition, there was an incredible response and conversation that occurred on social media, with the film trending in the top-ten mentions in Australia for days. 0000007932 00000 n Directed by Ian Darling, and solely compiled from archival material in a technique reminiscent of another great sports doco in recent years, Senna it's a powerful and impassioned chronicle of the treatment Goodes received from crowds and commentators alike. These Primary and Secondary resources are designed to support teachers and students in exploring the key themes of Australian documentary, THE FINAL QUARTER. Ian Darling recaps the years-long media cycle that drove Indigenous sportsman Adam Goodes out of the limelight in 'The Final Quarter.' By Harry Windsor. We appreciate your feedback. 0000067587 00000 n It begins in 2013 when Goodes, at that point a veteran of the game, singled out an opposing teams supporter for calling him an ape during a match. Goodes himself was not interviewed for the documentary, although he was consulted and gave permission for it to go ahead. Explores how to respectfully listen to and engage with Aboriginal and Torres Strait Islander peoples, histories and cultures. Director's Statement. ay back in the distant dark ages of Australian history those atavistic times when the nation was young, barbaric and bigoted one of the greatest players in one of the countrys most cherished sports leagues ended his career not in fanfare, but as a figure at the centre of an ugly debate about racism. 0000042530 00000 n Music: Paul Charlier 0000001825 00000 n The director of the film, Ian Darling, led the production team in deciding what to omit and what to include from the many televised me-dia segments and newspaper stories available. how technical and symbolic codes are used by the director of. Make Concrete Playground yours with My Playground. [28], The documentary was widely praised by critics. Screen Australia acknowledges the Traditional Custodians of the land on which we work and recognises their continuous connection to culture, community and Country. Through the Narragunnawali platform, schools and early learning services can develop a Reconciliation Action Plan (RAP), and teachers and educators can access professional learning and curriculum resources to support the implementation of reconciliation initiatives. Retrieved fromhttps://fbiradio.com/ian-darling-yvonne-sampson-last-days-adam-goodes-career/, Shark Island Production. We highly recommend that students view the film in its entirety before participating in subsequent lessons. Producers: Mary Macrae, Ian Darling Keywords: film, documentary, analysis, analyse, media, The Final Quarter, archival, footage, conventions, Aboriginal and Torres Strait Islander, AFL, footy, football, perspective, point of view, techniques, editing. In the final three years of his playing career he became a lightning rod for a heated public debate and widespread media commentary that divided the nation. H\j0E Retrieved fromhttps://thefinalquarterfilm.com.au/about/. Cool celebrates the world's oldest living culture and acknowledges that sovereignty was never ceded. in The Final Quarter. Theyre booing you because youre acting like a jerk, he bellows, going on to ridicule the league for promoting diversity-related initiatives and declaring that, as a white heterosexual male, he is waiting for my day to come. subsequently exacerbated the situation by suggesting, in an on-air interview, that Goodes be used to promote the forthcoming stage musicalKing Kong. [8][9][10], During a match against Carlton in May 2015, again during the Indigenous Round, Goodes celebrated a goal by performing an Aboriginal war dance, in which he mimed throwing a spear in the direction of the Carlton cheer squad. Check out the trailer for The Final Quarter below: The Final Quarter will release in Australian cinemas later this year. Explores how privilege operates in Australian society and encourages thinking about how to acknowledge and challenge white privilege to create a fairer society. All Rights Reserved. The first film, The Final Quarter, just launched at the Sydney Film Festival, premiering to a packed house on Friday, June 7 and receiving a standing ovation from the lively audience afterwards. [30] Garry Maddox, for the Sydney Morning Herald says "It is a powerful work that stirs deep emotions",[31] while Screenhub's Sarah Ward calls it 'crucial'. Tracy Bentin is a Child and Adolescent Psychologist who has worked in the education sector since 1997. Project-specific support provided by Screen Australia's development programs since the agency's inception in July 2008. 0000001984 00000 n The game did not do enough to stand with him, and call it out. [25] It was shown as part of the 2019 Perth International Film Festival and the Castlemaine Documentary Film Festival, both in July 2019,[26] and aired on Network Ten on 18 July 2019. Using only archival footage aired at the time, The Final Quarter holds a mirror to Australia and is an opportunity to reconsider what happened on and off the football field. 0000019988 00000 n The Final Quarter is a post-mortem of this dark period in Australian sporting and cultural history, comprised entirely of archival footage aired at the time. Use these age-appropriate lessons to guide your students through the process of viewing the filmin its entirety. [4] In 2014 he was named Australian of the Year in recognition of his community work supporting Indigenous Australian youth, the efforts of the Go Foundation (co-founded with his Sydney Swans teammate Michael O'Loughlin), and his efforts to combat racism. Learning Through Film, Social Issues, Indigenous Education, Aboriginal and Torres Strait Islander Histories and Cultures (OI.9), The Final Quarter Assembling Archival Footage Media Arts Years 9 & 10, Editing Conventions Seed Discussion Posters, Editing Vocabulary And Archival Documentary Conventions Factsheet, Students understand how technical and symbolic codes are used by the director of. How is The Final Quarter unlike other documentaries you have seen? There were always people who argued that Goodes was not a victim of racism just a King Kong reference here and an ape joke there, set to the soundtrack of thousands of punters booing from the stands. Explores what it means to be Australian, and how we express our individual and collective identities. Using only archival footage aired at the time, The Final Quarter holds a mirror to Australia and is an opportunity to reconsider what happened on and off the football field. Documentary Australia at Sydney Film Festival, https://thefinalquarterfilm.com.au/media-articles/, Early-Mid 2019: Screenings with dozens of influential organisations and individuals including peak Indigenous bodies, the Australian Human Rights Commission, the AFL including the Indigenous Players Group and all 18 AFL Clubs, May 2019: Media screenings for more than 100 journalists as a part of a proactive media strategy to reach a mass audience, 7 June 2019: Premiere screenings at the Sydney Film Festival to sold out audiences, receiving unprecedented demand and extensive media coverage, followed by a number of other film festivals, 19 July 2019: Broadcast nationally on Channel 10 (July 18) and WIN- accompanied by a special on, 20 September 2019: the film became freely available to schools, sporting clubs and community organisations and anyone could access the resources, stream the film, or request a copy of the DVD, Community, corporate, school and sporting club screenings were facilitated, with Shark Island staff attending over 95% of the screenings to participate in panels and Q&As, 27 September 2019: the Home Entertainment (digital) release began. 0000067425 00000 n We are unified on this, and never want to see the mistakes of the past repeated. Students will explore how the editor and director created mood and message for the audience, and appreciate how archival documentary can powerfully communicate public messages of importance. In addition, 13,000 users accessed the educational resources on Cool Australia and 2,500 watched the film, and the AToM study guide was downloaded 3,507 times. There are many themes, concepts and events in the film that teachers need to be aware of and reflect upon so that they can provide sufficient safety and support for students. on Mornings with Stephen Ferris was honoured to host Yvonne Sampson of Fox Sports League, and Ian Darling the director of The Final Quarter, a documentary chronicling of the last years of AFL star Adam Goodes' career.. To help make planning easier you can access all the specialist units on this page. Or, as right-wing columnist Miranda Devine has it, a pillock. While figures such as writer and broadcaster Waleed Aly are articulate in diagnosing whats really driving the catcalls: a discomfort with uppity minorities. This lesson will be centred around the acclaimed 2019 documentary, The Final Quarter. [5], On 24 May 2013, during the AFL's annual Indigenous Round (the Sir Doug Nicholls Round), a 13-year-old Collingwood supporter called Goodes an "ape". Feedback to date also confirms the transformative nature of the film for students, as well as the powerful capability of the film as a tool for teachers to help their students understand racism and discrimination. Our Watching the Film lessons are designed to support you in facilitating this process. One thing the film used was Mise en scene. On this Wikipedia the language links are at the top of the page across from the article title. | Michael Safi", "Watching Goodes film was like a punch to the face", "Acclaimed Adam Goodes Doco 'The Final Quarter' Will Hit TV Screens Next Month", "Adam Goodes: The Final Quarter film set to air on Channel 10 in July", "The Final Quarter review exhilarating Adam Goodes documentary pulses with urgency", "The exhilarating Adam Goodes documentary The Final Quarter is a must-see", "goodes-documentary-a-film-for-all-including-those-who-booed-him-20190530-p51ssm.html", "syd-film-fest-review-the-final-quarter-records-shameful-treatment-of-adam-goodes-258190", "AFL apologises unreservedly for failures over racism faced by Adam Goodes", "Club statement: 'The Final Quarter' documentary", https://en.wikipedia.org/w/index.php?title=The_Final_Quarter&oldid=1102231855, Documentary films about Australian rules football, All Wikipedia articles written in Australian English, Short description is different from Wikidata, Rotten Tomatoes template using name parameter, Creative Commons Attribution-ShareAlike License 3.0, 2019 Best Reporting of an Issue in Sport (Winner), 2019 Best Documentary Feature, Asian Academy Creative Awards: Grand Final winner (World) and Regional Winner (Australia and New Zealand), 2019 Best Editing in a Documentary - Sally Fryer (Winner), 2019 Best Editing in a Documentary Feature - Sally Fryer (Winner) Australian Screen Editors Ellie Awards, 2019 Best Sound in a Documentary (Nominee) Australian Screen Sound Guild, This page was last edited on 4 August 2022, at 01:34. 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